One Battle After Another — Review

For a video review, click here.


Leonardo DiCaprio using a payphone

Source: Warner Bros. Pictures

One Battle After Another might just be Paul Thomas Anderson’s funniest film to date. It’s also arguably his most accessible and mainstream. The film channels the spirit of Thomas Pynchon’s writing style, leaning into paranoia and absurdism. While the narrative is loosely inspired by Pynchon’s novel Vineland, Anderson isn’t adapting so much as riffing, using the novel as a jumping-off point and creating something looser, more playful, and very much his own. It feels like out of all the aspects of the novel, he connected with the father/daughter storyline the most and branched off of that.
What emerges almost feels like Paul Thomas Anderson directing a Quentin Tarantino film, a madcap collision of Django Unchained meets Once Upon a Time… in Hollywood. He balances tonal extremes with confidence and dexterity, blending outrageous comedy, clever satire, sharp political commentary, flashes of violence, and sudden moments of tenderness with precision. The outcome is a film that feels both anarchic and finely tuned. The cinematography is striking. Andy Jurgensen’s editing and Jonny Greenwood’s score add to the kinetic, propulsive energy, making even the most chaotic sequences feel purposeful and exhilarating.

Chase Infiniti in Paul Thomas Anderson's movie One Battle After Another

Source: Warner Bros. Pictures

Leonardo DiCaprio, Benicio Del Toro, and Sean Penn are hilarious, reveling in the absurdity of their roles, but the women are the real heart of the film. Chase Infiniti is the standout, delivering a star-making performance that anchors the surrounding chaos. Teyana Taylor brings liveliness and intrigue, while Regina Hall adds grace and compassion, both elevating the narrative even with limited screen time.
Anderson’s gift here is pacing. At 162 minutes, the film is long, but it never drags. Each scene builds momentum, resulting in a work that feels sprawling yet tightly controlled. One Battle After Another may not be Anderson’s most profound film, but it is undeniably one of his most enjoyable, a reminder that art can be both thoughtful and wildly entertaining.


Lexi Amoriello

Lexi is a writer, editor, and Webby Award-nominated content creator. You can find her on social media under the name Movie Recs By Lex, where she provides customized movie recommendations based on people’s Letterboxd accounts. She also reviews new releases, does deep dives about classic films, and creates a variety of film-related content. She’s the founder of the NJFCC, as well as a member of the HCA, Galeca, IFSC, OAFFC, and Film Independent. 

https://movierecsbylex.com
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